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One of my favourite blues lines, found in a Robert Johnson song and probably many other Blues songs was the line of the blues âŠâÂÂwalking around like a man âÂÂâŠâÂÅ its as if all your troubles take on a human form
and hit you in the face, in a realism kind of way. These images of the blues or, any early musical forms are significant and influential as they influence and lead into modern culture in such a direct way..the blues had a baby âÂÅ and they called it rock nâ rollâÂÅ ..etc âÂÅ the sixties bands, were influenced by these early blues influences Bo Diddely ( who has just recently died ), Chuck Berry, Howlin Wolf, the list goes on, Indie bands were in turn shaped by the sixties bands or even seventiesâÂÅ and the new wave today âÂÅ
So I thought, as you do, if the Blues was âÂÂwalking around like a manâÂÂâÂÅ what were other genres of music using as a metaphorical deviceâÂÅ or devicesâÂÅ
FolkâÂÅ .could be basket weaving itself into a metaphorical Wicker Man and symbolically burning garland bouqued virgins in an accordian fest of rebirth, as the burning wicker stumbles across the Southern counties and will fall into a mining disaster of tragedy. In lyrical form it might beâŠâÂÂWhen I was on horseback wasâÂÂnt I prettyâÂÅ when I was on horseback wasâÂÂnt I GayâÂÂâÂÅ or with a north-east slantâÂÅ ..âÂÂrap her to bank me canny ladsâÂÅ .âÂÂrap her to bank me hinniesâÂÂ..
âÂÂin Sixteen forty-nine to St Georges hillâÂÅ a ragged band they call the Diggers come to show the PeopleâÂÂs willâÂÂâÂÅ .
SoulâÂÅ ..rooted in the Blues could be reborn in the North of England linking Nissan with Detroit âÂÂMotorâ city and have Chris Rea sing in a foggy smoggy voice about the A19, the Road to Hell, and motervatin from the Wear to the Tees in a motor car metaphor âÂÅ like a âÂÂFord Thunderbirdâ or a Nissan Micra, something with pistons and gearsâ that doesâÂÂnt drive but burnsâÂÅ .
âÂÂGonna wait till that midnight hour âÂÅ when my love comes a tumbling downâÂÂâÂÅ
ReggaeâÂÅ ..is on metaphorical over drive ripe with imageryâÂÅ ..Love, Nationalism, Emperor Hilay Selisay, green plants spring to mind a metaphor for growth and regeneration, red, yellow and green, the flag of a different form of consciousness from the confines of the old order. So a huge green plant will tower over the lyrics of
âÂÅ .âÂÂJamminâ Jamminâ I hope you like jamming tooâÂÂâÂÅ
âÂÅ ..Like a Rhubarb leaf over my allotment, asparagus over my Aldi fuelled Euro-greens, Celtic running out on a green pitch of verdant green diamonds.
And the rhythms will carry us on to the next song âŠâÂÅ in a four-four reggae beatâŠâÂÂcondeming the hypocritesâÂÂ
Rock will âŠâÂÂeat itselfâÂÂâÂÅ and regurgitate as a black- leather decked decadenceâÂÅ .rooted in motor-bike teenage crash horror of unrequited sex and desireâÂÅ .
.âÂÂIâÂÂm sorry I hurt you the leader of the packâÂÂâÂÅ
âÂÂJohnny remember meâÂÂ
âÂÅ ..
..or evenâÂÅ tragedy turns to desire,âÂÅ
âÂÂI met a gin âÂÂsoaked barroom queen in MemphisâÂÂâÂÅ .she tried to take me upstairs for a rideâÂÂâÂÅ .
âÂÂhanging on in quiet desperation itâÂÂs the English wayâÂÂâÂÅ ..
The thing that endears is thatâÂÅ ..the metaphor is the thing that drives most songsâŠâÂÅ the theme is the human condition, an empathy of feelingâÂÅ .like the blues standing up âÂÅ and walking like a man. All genres have in common a kind of emotional intelligence, that moves in song ,ideas that it is the personal the ME the you are singing about the way I feelâÂÅ .an empathy a verstehen. This is ratified and ossified and rationalised in a rhythmic understanding that is familiar and special.
âÂÂstanding at the crossroadsâÂÅ trying to flag a rideâÂÅ ..nobody wants to know me âÂÅ everyone pass me byâÂÂâÂÅ .
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Unbelievable how well-written and infromaitve this was.